Ryoanji Rock GardenThe Ryoanji Rock Garden
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Ky?jitai-ji (Shinjitai: Ky?jitai, ???: Ky?jitai: ???, Te temple of the Dragon at Peace) is a Zen sanctuary in the north-west of Kyoto, Japan. One of the most beautiful preserved specimens of Kare-sansui ("dry landscape") is the garden Ry?an-ji, an ingenious kind of Zen garden with generally characteristic large rock formation set amidst a swing of flat pebble stones (small, careful, shiny fluvial rocks) carved into straight lines that make for easier contemplation.
It and its garden are classified as one of the historical monuments of ancient Kyoto and a UNESCO World Heritage Site. It was a Fujiwara tribe property in the eleventh c. The site of the zhel. Fujiwara Saneyoshi constructed the first sanctuary, the Daiju-in, and the remaining large siphon.
Hosokawa Katsumoto, another mighty warrior, bought the country where the sanctuary was located. It was there that he constructed his residency and established a Zen sanctuary, Ry?an-ji. In the ?nin war between the clan the sanctuary was demolished. Hosokava Katsumoto passed away in 1473. Hosokawa Matsumoto, his boy, reconstructed the church in 1488.
There' s a lot of debate about who planted the garden and when. The garden is mostly dated to the second half of the fifteenth cent. 3 ] According to some springs, the garden was created by Hosokawa Katsumoto, the author of the first Ry?an-ji shrine, between 1450 and 1473. Others say that it was constructed by his own father, Hosokawa Masamoto, in or around 1488.
Some say that the garden was constructed by the renowned landscapist and friar S?ami (died 1525), but this is denied by other people. A number of springs say that the garden was constructed in the first half of the sixteenth centuary. Other writers say that the garden was probably constructed much later, in the Edo era, between 1618 and 1680.
6 ] There is also disagreement over whether the garden was constructed by a monk or an expert gardener named Kawaaramono, or a mixture of both. The name of a rock in the garden is given to two stones, Hirokojir? and Kotar?. However, the coherent story, on the basis of documented resources, is as follows:
In 1450 Hosokawa Katsumoto (1430-1473), representative of www.katsumoto, established the Ry?an-ji sanctuary, but the building was burned down during the ?nin war. Masamoto, his father, built the sanctuary at the end of the same centenary. It' s not clear if a garden was built opposite the entrance of the building.
The first description of a garden that clearly describes one in front of the entrance was given between 1680 and 1682. This is described as a combination of nine large rocks designed for Tiger Cubs crossing the water. Since the garden currently has fifteen rocks, it was clearly different from the garden we see today.
In 1779, a major fire damaged the building and debris from the burned building was thrown into the garden. The garden author and gardening expert Akisato Rito (died around 1830) redesigned the garden at the end of the 18th centur y entirely above the ruins and released a painting of his garden in his Celebrated Gardens and Sights of Kyoto (Miyako Rinssen meisho zue) from 1799, which shows the garden as it looks today.
8 ] There is no indication that Zen Buddhist friars have worked on the garden other than the rake of sands. www. Ry?an-ji garden. Its loam walls, dyed with delicate shades of browns and oranges, reflect "wabi" and the "sabi" stone garden, which together reflect the philosophies or aesthetics of " " " of Japan.
Its name is a synonym for the temple's renowned Zen garden, the rock garden of Mount Kaesansui, which was thought to have been used in the latter part of the fifteenth cent. It is a 248 sq. metre (2,670 sq. feet) area. There are fifteen bricks of different size, meticulously assembled into five groups; one group of five bricks, two groups of three and two groups of two bricks.
Surrounding the rocks are pebbles of whitish stone, which are harvested daily by the friars. There is only some bryophyte around the rocks. They are placed in such a way that the whole piece cannot be seen from the porch at once. It is also positioned in such a way that when looking at the garden from any corner (except from above) only fourteen of the rocks are simultaneously visibl.
Gert van Tonder and Michael Lyons analyse the rock garden in an essay in the scientific magazine Nature by creating a form analysing modell (central axis) in early work. On the basis of this cast, they show that the empty area of the garden is structurally implicit and oriented towards the architectural design of the zigzag.
Essentially, looking at the location of the bricks from a line of sight along this point puts a form from the natural world (a dichotomically branching with an average length of branches, which decreases monotonously from the stem to the third step) into an emboss. You can find an explanatory text on the concepts of Buddhism, Buddhaism, and Buddhism in the Glossary of Buddhism in Japan.
The Wikimedia Commons has got Ryoanji on it. Skip up to: a Blanc Young and Young, The Kind of the Japanese Garden, pp. 108-109. Kuitert, themes, scenes and taste, in the Geschichte der japanischen Gartenkunst, pp. 114-124 and 293-295. "Ditch in John Cage's Garden - Cage and Ryoanji".
Visually structured a" Zen garden" in Japan. The Japangaard, Kazuhisa Kawamura, "Japangarten im Hof des Kunstmuseums Wolfsburg" (jardin japonais dans la cour du Musée d'Art de Wolfsburg) ; extrait : "Les proportions, les dimensions et la conception des deux jardins sont presque identiques.
"The ratio, size and type of arrangement of both parks are almost the same. I' m interested in the arts of gardening in Japan: