Declination of the Persian substantive is Persian in the single gene and Persian in the plural nomination. Declination ends s/- are used to define the Persian substantive. Persians' voices are masculine and the piece "der". Not only Persians but also all English substantives can be bent here. The declination of Persians as a chart with all shapes in single (singular) and plural in all four cases Nominal (1st case), additive (2nd case), derivative (3rd case) and accumulative (4th case).
The right declination of the Persian term is particularly important for students of the language.
Survivors of breastcancer tell their stories
When she was 38 years old and thought that would never happened to her, Whitney Persian was diagnosed on March 22, 2016 with advanced stage oncology. She had been born at 41, but the disease was not genetic. Whitney immediately wanted a bipolar amputation. "The most difficult thing for me was that I didn't want to loose my hair," said Persian.
Whitney was losing her head after six chemotherapy sessions, but her boyfriends and relatives gathered around her. That year and one half made me realise that there is nothing I cannot do," said Persian. Though Whitney is determined to tell girls what happens when you go through advanced breastcancer and reconstructions.
"You' ll get this rose-colored ledger when they diagnose you. It' looks happy and says all these different things, but not everything is true for you, and it doesn't always have the essentials you don't speak to you about," says Persian. I' m just waitin' for this to go out, and I'll just rock with it," said Persian.
The Persians | Maps 2018
Persians (Greek ?????? Persai) is one of the great dramas of the Grecian writer Aeschylus. It begins with a soliloquy by the choir director, who, representing the nobility of Persia, explains in detail how the powerful armies of Persia's King Xerxes I set out for Greece to make up for the loss of his fathers Darius I at Marathon and the cities of Greece.
Then, the remainder of the chorus drops and carries on the story and reports not only about the first wins, but also about the submission of the ocean itself - in other words, the building of a viaduct over the Hellespont, which divides the Asian and European mainland. However, the concern of the lonesome Persians for their war-torn men is not unspoken.
Atossa, the spouse of the deceased Darius, the royal dam, comes to ask the nobility for a consult. She saw two nuns of the same clan in a nightmare, one in Persian, the other in traditional costume, who soon got into disputes. It was Xerxes who tried to calm them and resolve the argument by putting them both under his yoke in front of his vehicle.
Xerxes then slipped from his vehicle under the gaze of his father. As Atossa then wants to offer herself to the deities to avoid possible harm to her child, she sees an unsuccessfully trying to get to the shrine before the falcon, and then gives herself to it without will.
According to the canons' council to be humble before the deities, a dialog develops between Atossa and the chorus, in which Atossa asks him about Athens and its traditions. Now, a courier arrives who - commenting on the lamentation of the chorus and later in an interview with Atossa - reports in detail on the nefarious sinking of the Iranian navy, which alone Xerxes with few believers has outlived.
When he and Aossas leave, the chorus once again bursts into lament and refers to the innumerable mother who have been suffering badly, the young wives who are now wives - but also to the lost vessels and the ruler's heinous run. With the help of the chorus, Atosa comes back in simple clothes to summon her deceased spouse Darius.
Talking to Atossa, he condemned the misdeed of Xerxes, who wanted to bind the ocean with shackles to Saint Hellespont's necklaces and thus provoked the god Poseidon himself. By asking to conceive his own righteous boy, he sank back into the earth.
Commended by the voices of the voices of the wise Darius, who reigned with wisdom and caution, Xerxes himself arrives in ripped clothing and with an empty caddy in his hands. He sees himself beaten by a deity and the melody ends in lament between him and the cantor.