Myanmar Movies and VideosBurma Movies and Videos
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We' re leaders in the fields of creativity based email campaigns, videos, post-production and advertisements. Our range of products includes storyboards, castings, locations, cameras, light crews, gear and extensive product managment. A native of Yangon, Myanmar, he has lived in Yangon and Singapore. He is passionate about producing videos and music.
First he worked as a free-lance filmmaker and maker of musical videos, then he began to build up an audio and cutting studios. Having gained notoriety in the areas of public relations, networking, medias and publicity, he left his second home, Singapore, and re-established himself to create TV commercials, musical videos, documentaries, business profiles and public relations work.
Courage fulfills messages from Myanmar
Much of the footage in "Burma VJ: Report From a Closed Country" is wobbly and blurry, shot with small enough camcorders to be quickly hidden in jeopardy and mayhem. VJ " means "video journalists" who risk their security, their liberty and their life to capture the people' s protest against Myanmar's junta's junta's military rule and the regime's violent reaction.
Staged by Anders Ostergaard, a Dane director, this is largely a compilation of secret videos shot in August and September 2007 by a Myanmar pro-democracy campaigner named Joshua, whose face and face are wrapped up for his own safety. Yoshua and his associates are plagued by early 90s recollections when the army jungle known as Slorc (an abbreviation for State Law and Order Restoration Council) reacted to their election victory by Aung San Suu Kyi by recklessly suppressing the people of the land that almost everyone in this movie describes as Burma, rather than the new name that Slorc gave her.
Joshua is hoping that the outcome will be different as the denial of the government increases until the end of this year. It is part of the Demcratic Voice of Burma, a journalist organization that discretely collected information about Burma's lives by questioning common folk and documenting their daily work. As small, seemingly spur-of-the-moment rallies begin in the capitol, the group's camera is there to follow the action, and as videos circulate at home and abroad, the rallies become larger and braver.
Joshua is reluctant to flee to Thailand, where he gets first-hand accounts and material about a quickly faltering move via mobile phone and intranet. Myanmar's normally dormant Buddha ist becoming the emblematic and strategical hub of anti-government activities, and despite the government's prohibition of alien media, the image of their disregard has continued to grow all over the state.
"Myanmar VJ" is a wealthy, thought-provoking movie, not only because of the history he is telling, which is in turn inspirational and disastrously upsetting, but also because of the perspectives he provides on the roles that new communication technology can take in policymaking. Burma's virtual videos are like the secret machines of previous Burmese revolutionaries, except that the camera portsability and easy Internet and satelite delivery are morbid.
Whilst much of the movie features the gripping tragedy of a people who shake off passiveness and anxiety and oppose oppression, the dissolution shows that old-fashioned oppression by the policing state can still overwhelm a revolt fuelled by the new medium. There is something indelible and unique about the view of troops shooting at the masses of their compatriots, but they cannot change the horrible course of the incident.
Thus the story of "Burma VJ" assumes a dark, elegant occupation when the dream of liberty flare up and is wiped out in a brief period of time. Myanmar's government's ferocity and barbarism can still be overcame by the endurance and perseverance of the courageous and unknown friars, student and clerical staff that can be seen in Burma VJ.
However, while the movie denies itself desperation, it also loses communication in the hope that it could once again turn out to be unreal. Director: Anders Ostergaard; Screenplay: Mr. Ostergaard and Jan Krogsgaard; Camera: Simon Plum and Videojournalists from Burma; Editing: Janus Billeskov Jansen and Thomas Papapetros; Music: Conny Malmqvist; Production: Lise Lense-Moller; Release: Oscilloscope Laboratories and HBO Documentary Films.
In the movie forum, 209 Western Houston Street, westlich der Avenue of the Americas, South Village. Translated into Burmese and German, with British sub-titles. There is no rating for this movie.