Myanmar Burmese ClassicBurmese classic
Myanmar (Burma) - The Guidebook - Guidebooks
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Myanmar Classical Dance - Things Myanmar
Each church celebration or every celebration is not without a musical and danceshow. Myanmar's good choir design is that the dancer dances like a puppet, and that puppets must be danced with the mercy of the people. Classic courtyard dances are usually a women's soloperformance with very smooth moves.
You can also dance with two small lights that are poised on each hand and show the flaming flicker that moves up, down and around the dancer from one position to the next. Only when the dancer is young, the basics are learned to drumbeats and not to dance to it.
Both men and woman follow different footsteps, and both play solo. Uh-nyeint is a dancing show by girls, with the youngest performer first and the conductor, who is usually the troop's proprietor, taking over the last and longest part of the evening's music.
She wears a long, tight-fitting coat that breaks out over the waist in curved half-moons, aided by thin stripes of dark-skinned moustache. She has a much longer and more colorful sariong on her black dress, with complicated weave designs or stitched with golden and satin.
Achnyeint Choreographie is vivid and the sound is louder and faster with punchy drum beats. Ahnyeint shows begin around 7 pm and end after noon. It is a very easy set, a wooden and bamboos quadratic plate with a front drape and another one in the centre, behind which the dances are dressed and painted.
But the zat is a more complex show, which begins around 8 pm and ends the next morning at the crack of dawn. 2. Located near the stages, the seating is regarded as the best, and the audience was able to present the pretty main man with flower-garland.
His face is traditionally designed like a show girl, full of fake lashes, eyeshadow and lip stick, but he is still appealing to the female aficionado. Every night's repertory, which has now shifted to more contemporary objects, is crayoned on a stationary board; the first piece is a tribute to and a dancing to the ghosts with a victim of a lush tree and three "hands" of banana in a large cup, which the performer, disguised as a media, must heaven.
It' a brief, romantical, classical piece, more like a piece of music. This is followed by the Yein series, in which the twenty to thirty or more women are performing in concert. Next points are rocking concertos and a contemporary piece, followed by a classic vocal and dancing number in which the main role is danced by a series of males.
The classic game begins after the break. Dialog is also partly poetic, partly singing. It is the main character and the female choreographers perform supportive but important roles. Municipalities and communities have their own group of amateurs of several young men who perform on wearable musical tools such as flutes, percussion, bobbins and pelts while one or two are dancing.
Dancing is part of living in Myanmar, a land where folks know how to have fun.