Myanmar AiiBurma Aii
No fewer diruars. No more baim aii.
The International Monetary Fund. Division Asia and Pacific
In the coming years, the rate of increase will accelerate with annual sales growing by an annual rate of around 8¼ per cent, and the rate of rate of inflation is expected to soar. In 2013/14, the budget deficits are expected to increase to 3 per cent of GNP, to around 5 per cent of GNP by 2014/15, but to fall below 5 per cent of GNP in the midterm.
More aggressive use of the instruments of money management and the creation of automatic transmission of FX revenues from the government to the CBM are needed. Fiscal policies and management should be aimed at simplification of the system and preparation for the imposition of value added taxes. Capacities will be essential for achieving the political goals.
Migrants in the crisis: Human Flow tries to catch the size of the crisis.
The first full-length film by the famous painter Ai Weiwei, entitled Ai Weiwei, is best suited for portraiture. The publication of the book was published at the beginning of this monthly and is an uncommon look at the worldwide immigrant mismatch. They oscillate between large and small air photographs, coupled with close-ups, stats with individual histories - to communicate not only the great extent of what Ai called a" humanitarian crisis", but also to affect the people and their societies they have lived through.
It is both a memorial to those who have witnessed the torments of enforced immigration and a call to act for those who have not. Simultaneously, the public becomes witness to the personal welfare and stress tolerance of immigrants in common intimacy. Both sides process messages from his grandma and mom that the Greek-Macedonian frontier could be closed later in the movie, there will be shots of escapees escaping cryogen at that frontier.
" These are the kind of times that give this movie its almost intolerable strength. However, this lyric beginning becomes boring under the mere length of the movie. Justifying these decisions in an interviewer with The Atlantic, Ai says that his movie should complement the already plentiful images from the war.
While Human Flow is lacking a perceptible texture or story, this act has a policy objective in a period of penetrating material bias and poor information. It feels like a work of open commentary, not a bit of propoganda, and that makes it one of a kind among the treatment of the immigrant war.
Aung San Suu Kyi has described massacre of Rohingya Muslims in Myanmar as "fake news". Ais' trademark of diskursive "storytelling" thus becomes an act of opposition for those who escape the forces of force, repression and aggravation. However, A sharp movie becomes more excursive than it becomes itinerant. Instead of struggling with information satiation around the crises, Human Flow is falling victim to it.
The material is stratified without clear logics, poetry and story. Ai' s journeys through 23 lands, supported by more than 200 members of the ship's crews over the course of two years, make Human Flow feel overpowered by its own ambitions. It is a lost chance to provide a coherent account of what is otherwise a focussed human embassy.
Ai Qing, Ai Qing's exile child, was raised with humility and bodily agony during the Chinese Cultural Revolution. This is Ai's connecting point in human flow, which is portrayed as his respectable, sometimes unpleasant point of view in his interaction with the migrant.
It is one of several of Ai' s work on the current Good Fences Make Good Neighbors, his New York City site art collections, and his 2016 installment of 14,000 body armor lifejackets surrounding the Berlin Konzerthaus. Ai' s most disputed exploration of the 2016 crises was his 2016 photography, which re-enacted a widespread image of the three-year-old young Alan Kurdi, who had been rinsed on land on a Greek bath.
In good times and bad, his approach to the economic downturn as a nosy ham in the best case or as an investment in the best case is the foundation of the game. To work in a fleeting room of slightly biased or repressed information is Ai's goal, to record the experience of fugitives - open and compassionate, patient and obsessed.
It does not question the causes of the human flow crises as explicit as in other policy works as in his art and documentary Citizens' Investigation 2008. However, these are always present in the film: the closing of borders along the Syrian-Jordan frontier; the remains of houses in Turkey in the constant Kurdish-Turkish war, blacks of smokes coming up from the Israeli-held Mosul orphanage.
" Maybe he means that even if this enormous movie takes us to the limit of seeing, we must not look for the sake of being voyeuristic, but to gain the room to act.