Also known as the group of monuments of Hampi, Hampi is a UNESCO World Heritage Site in east-central Karnataka, India. " Hampi " in the Indian federal state Karnataka is the location of the once important capital of the Vijayanagar empire. Discover the sights, places you should visit, the best time to reach us, the history and culture of Hampi to plan your trip. Discover the Hampi holidays and discover the best time and places to visit. Hampi's austere, grandiose location was the last capital of the last great Hindu kingdom of Vijayanagar.

sspan class="mw-headline" id="Location">Location[edit]

Haspi is located on the bank of the Tungabhadra River in the east part of the Karnataka River near the Andhra Pradesh frontier.... Night busses and Hampi train services link Goa, Secunderabad and Bangalore in late May. The Hampi and its surrounding regions remain a controversial and competitive area, occupied by the resident chieftains, the Muslim Hyderabad tribes of Nizam, the Maratha Hindu and Hyder Ali monarchs and his Tipu Sultan of Mysore boy in the eighteenth centuries.

In 1800 the Hampi remains were measured by Colin Colin Colin Mackenzie of Scotland, the first Inspector General of India. In Mackenzie' s letter he said that the Hampi area had been deserted and that only wild animals lived there. Secrets by 19th-century medieval speculators who followed Mackenzie accused the Haidar Ali army and 18th-century marathas of damaging Hampi memorials.

Garuda stonecar and the Vitthala tempel 1856 and 2016. Hampi was largely ignored until the middle of the 19th centuries, when Alexander Greenlaw came to visit and photograph it in 1856. It is the most precious spring of the state of Hampi from the middle of the 19th centuries for scientists. Translations of the commemorative texts of Abdul Razzaq, a Farsi ambassador at the courtyard of Devaraya II (1424-1446), written in the early 1880s, described some of the relics of the area.

For the first of its kind, this publication uses Arabian words such as "zenana" to describe some of the Hampi memorials. In 1900 Robert Sewell publicized his scientific paper A Fordotten Empire[39] and brought Hampi to the broad public of scientists. Increasing interest prompted Rea and his replacement Longhurst to clear and fix the Hampi Memorial Group.

Virupaksha is the oldest sanctuary, the main target for hikers and visitors and remains one of the most important Hindu places of cult. Portions of the Shiva, Pampa and Durga monasteries survived in the eleventh centuries; they were expanded during the Vijayanagara age. It is a small sanctuary containing a small selection of smaller sanctuaries, a regular 50 metre high painted geopuram, a Hindu convent devoted to the Vidyaranya of the Advaita Vedanta traditions, a Manmatha pottery basin, a communal canteen, other memorials and a 750 metre long destroyed stoneware fair with a Nandi Buddhist sanctuary at the eastern end.

After the small gate, the inner court opens onto the Shiva Temple's principal mandaapa, which is made up of the originally quadratic mandaapa and a rectangle annex consisting of two merged plazas and sixteen pillars erected by Krishnadevaraya. The third section shows the myth that the Lord of Loves Kama shoots an arrows at Shiva to interest him in Parvati; and the forth section shows the Advaita Hindu scholars Vidyaranya borne in parade.

59 ][60] The Mandapas columns have oversized yealis, mystical creatures that merge the characteristics of a horses, lions, and other creatures with an armored soldier who rides them - a distinctive trait of Vijayanagara. There is a mukha-linga in the sanctuary of the sanctuary; a shiva-linga with a face stamped with bronze. Virupaksha also has smaller shrines covering two facets of Parvati-Pampa and Bhuvaneshwari just northern of the principal sanctuary.

Several of the sanctuaries on this pilgrimage route were white painted in the nineteenth centuries by order of the English Indian commander F.W. Robinson, who aimed to rebuild the Virupaksha shrine building; the traditional whitening of this group of historical memorials has persisted. Virupaksha is, according to locals, the only sanctuary that remained a meeting place for Hindus and was visited by Hindus following the Hampi devastation in 1565.

There is an open-air carnival celebration for the wedding of Virupaksha and Pampa in early April, as well as the festive feast of Maha Shivaratri. Krishna or Balakrishna on the other side of Hemakuta Mountain is located about 1 km from Virupaksha Museum.

This part of the Hampi compound is named Krishnapura in the epigraphs and dates back to 1515 AD. Before the destroyed sanctuary there is a long road to the village square which is popularly known as the Basar. Chiva lasga (left) and wild yoga narasimha-monolithes, engraved in-situ. It has a gate with relief of all ten Vishnu visors, beginning with Matsya at the end.

On the inside is the destroyed Krishna Shrine and small, destroyed goddesshrines. Temporal mixture is stratified in mandapas, comprising an external and an internal casing. Balakrishna (Baby Krishna)'s picture in his shrine is now in a Chennai Musuem. There is a contemporary street in front of the east side of Mount Glopura connecting Kamalapuram with Hampi.

To the south of the Krishna temple outside there are two adjoining temples, one with the biggest Shiva Linga monolith and the other with the biggest Vishnu Vishnu yoga Narasimha monolith in Hampi. Shiva Linga, 3 meters long, is standing in a cubic room in the middle of the river and has three little holes outlined on the top.

Situated to the southern side is the sanctuary for a 6.7 meter high Narasimha, the Man-Lion Avatar of Vishnu, who sits in a posture of Yogas. Right: Markt in front of the remains of the temples. Citthala Tempel Goopuram and Markt. Citthala Museum and Fair is situated over 3 km northeast of Virupaksha Museum near the shores of the Tungabhadra River.

This is the most artistic Hindu shrine in Hampi and belongs to the holy center of Vijayanagara. When and by whom the building of the palace was done is not clear; most scientists date it to the beginning of the 16th centuries. Signatures contain masculine and feminine designations, indicating that the building was constructed by several patrons.

Vitthala, a Krishna shape also known as Vithoba, was devoted to the sanctuary. It opens to the west, has a quadratic ground plane and has an entry gate with two lateral gates. It is located in the centre of a patio and several side crypts, all facing towards the south.

Garuda coffin in the shape of a stony carriage in the Vitthala church. Hemakuta Mountain is located between the Virupaksha Tempel Komplex in the northern part and the Krishna Tempel in the southern part. This is a small monument altogether, the best conserved example of buildings and buildings before Vijayanagara and early Vijayanagara.

It has several important epigraphs, is easy to reach and offers a view of the various parts of Hampi and the fruitful rural valleys that separate the holy center from the city center with its regal center. Other are finished memorials with different design, such as the Phamsana-type. There are two groups of temples in this look similar; each has a threefold villa composed of quadratic sanctuaries, each group being linked to its own common quadratic Mandapa.

They are both set of threefold lingga shrines of Siva; early springs wrongly identified them as Jain shrines because of their plain outer and inner partitions. These inscriptions connect Hampi with the Kampili Empire and suggest a connection between the Kampili story and that of the subsequent Vijayanagara Empire. Hemakuta Temple styles suggest that it was a center of studies for experiments with different kinds of Hindus Buddhist monuments.

This may also have been the model for the Virupaksha-Temple which was later extended with additional temples like e.g. Guram, Manala and others. There is a similar memorial to Narasimha, the man-lion invatar of Vishnu, situated just west of Hampi; a nearby epigraph indicates that it was in operation in 1379 AD.

Hemakuta Mound also has memorials with two monumental Ganesha monoliths, the Kadalekalu Ganesha and the Sasivekalu Ganesha. Kadalekalu Ganesha, called after Ganesha's gram-like stomach, is located in the center of Hampi's holy center on the eastern side of the hillside at Matanga. Ganesha Sasivekalu, which takes its name from Ganesha's wild seeds formed stomach, is located near the Krishna temple southwest of Kadalekalu Ganesha.

Right: The outside of the Hazara Rama Wall shows a Hindu festival-procession; right: Embossment of St. John in the interior of the church. Kodandarama Tempelkomplex is located near the Tungabhadra River and is situated just North of the Achyutaraya Tempel. Chakratirtha, where the Tungabhadra turns towards the Himalayas. There is a light column (dipa stambha) under a pipeline in front of the sanctuary, and inside there is a sanctuary devoted to Rama, Sita, Lakshmana and Hanuman.

Close by, and further Kotitirtha to the northern side, are a number of smaller sanctuaries devoted to Vitthala, Anjaneya, Shiva linga and other deity. 97 ] It is referred to in the commemorative texts of aliens who came to Vijayanagara, some call it the "House of Victory". 98 ] The ample memorial of this compound has digit emergence tract stairway, which advantage to a size, tract structure, playing period which a woody manda was apt to lay.

It was burned when Hampi was destroyed. 100 ] Reliefs on the southern side show performers and performers, among them women pole-dancers. Vijayanagara's kingdom constructed an abundant infrastructure of water,[103][105] some instances of which - among them the Manmatha tanks near the Virupaksha shrine, dating from about the ninth millennium - predestine Vijayanagara.

Incorporating works of art on the vat, such as a soldier battling a lion, dates from the thirteenth centuries when Hoysalas visited Hampi. Hampi's memorials includes an aqueduct that transports rainwater to storage facilities and other parts of the town, as well as sewers and overflows.

A number of large Hampi temples have a built-in galley and 100 or more column feeders. 57 ][58] Hampi also had its own Bhojana zhala (House of Food), where multiple thalis ( bowls ) were serially engraved into a cliff on both sides of a tributary aqueduct. An example can be found near an eight-sided well in the southern part of the king's center; according to epigraphic springs this Hampi bojan hall was a Utopia Hall or "channel linked to food".

The Lotus Mahal (left) and the stable of elephants: syncretistic memorials. Zenana enclosures are located near the stable of elephants, so they were given their name in a memory of Persia, whose 19 st centuries interpretation was for many an early initiation to the Hampi-Ruinen. Lotus Mahal blends a symmetric quadratic Hindus mandalas pattern with Indo-Islamic-style rag arch ways, archways and cupolas.

The cellar and pyramid tower are inspired by Hindu style architectural style. As with almost all buildings in the imperial center of Hampi, this memorial has no engravings or engravings that mention it, and therefore it was hard to date it and prove its functionality. However, the Lotus Mahal and other Hampi center buildings were not erected under the auspices of Muslims, unlike the graves in the various neighborhoods.

This building reflects the assimilating approaches of the Hindus lords of Vijayanagara. Vijayanagara sovereigns constructed fortresses, gates and watch towers after their empire was formed from the remains of a battle and to protect against attacks and invasions. Corbel archways in Hindus are the most frequent gates and watch towers in Hampi.

Such a gate is situated southeast of the Ganagitti Jain Gate; it includes a center block of bare stone that is intended to capture and bewilder a foreigner seeking a suprise, while common viewers were familiar with the three changes of course in front of the gate. Those Hindus Functional Memorials are identified by a Hindus legend integrated into them, such as Bhima of the Pandava Glory of Mahabharata.

There is another such gateway on the north-eastern street to the Hindu Talarighat and Vitthala temples. Hampi has more than 1,600 preserved remains - mostly Hindu over a large area. Other important relics abound are: a sanctuary near the Saraswati Baths, an Hindu divine foundress of wisdom and song; a suburban sanctuary for Ananthasayana Vishnu; an Uddana Virbhadra sanctuary for Shiva and Vishnu; a Kali sanctuary, the wild shape of the Durga, unusual in its depiction of a paddleball and scoop; a sanctuary in the outskirts of the city for Shiva and Vishnu; and a sanctuary for Kali, the wild shape of the Durga, unusual in its depiction of a paddleball and spoon;

a subterranean sanctuary in the king's center; a Sugriva grotto shrine; the Matanga Hills memorials; the Purandaradasa sanctuary devoted to the scholarly musicalian famous for his Carnat musical traditions; the Chandrashekhara sanctuary for Shiva near the queen's bathing monumenta; and the Malyavanta hills devoted to Rama Sita Lakshmana and Shiva. On the Malyavanta mound are several sanctuaries, among them the Raghunatha shrine and a series of Shiva Linga's cut in stones.

Ganigitti Jain is located near the Bhima Gateway in the southeast of Hampi's central area. Located to the northern side, the sanctuary dates back to 1385 AD, during the reign of the Hindu Emperor Harihara II, according to an epigraph in the sanctuary. There are other memorials on the site of the sanctuary in the form of remains.

It was erected in 1439 by Ahmad Khan, a Moslem soldier in the Hindu Empire of Devaraya II, a Hindu emperor. Among the memorials are a memorial church, an eight-sided well and a grave. Further Moslem memorials and a cemetery were added later near the inheritance of Ahmad Khan. There was a long history of constructing challenging Hindu style churches in the deckan Hampi area, especially in Pattadakal - another cultural patrimony, Badami, Aihole in the northern hemisphere and further southwards towards Belur and Halebidu - with a blend of northern and southern India style.

Vijayanagara's South India artist es and architect's brought about a convalescence, mostly in the Dragovian stylis. The Hampi peasants also incorporated Islam period bows in attached gates in some places. Group of monuments on Hampi. "Vijayanagara was the second biggest town in the whole wide range after Beijing at its height, about 1500, with a total area of 60 sq. m. and a total of 500,000 inhabitants.

"Vijayanagara's case has been reviewed. The Political Destruction and Historical Construction in South India 1". Hampi in a new light: Latest research in Vijayanagara. Southern India with Eye for Europe, 1250-1625. Combridge University Press. pp. 234-236. Hampi. Imperialism and Imperialism in South and Southeast Asia. Vijayanagara. Combridge University Press. S. pp. Hampi World Heritage Series.

Vijayanagara, progress of research. This is Oxford University Press. pp. pp. Vijayanagara. Combridge University Press. pp. 18-19. This is Oxford University Press. pp. 281-282. Away from Turk and Hindu: Reconsidering religious identities in Islamic South Asia. The University Press of Florida. pp. Arabian Sea: The world of the Indian Ocean in the seventeenth century: World of the Indian Ocean in the seventeenth century.

"In January 1565, when the battles were concluded, they seemed to turn in favour of Vijayanagara - but all of a sudden two Moslem general of Vijayanagara changed sides. "Divinities, cult and royalty in Vijayanagara." Karnataka - Archaeological Study of India". Vijayanagara. Combridge University Press. S. pp. "Vithalapura Monastery Complex, Hampi Vijayanagara."

Southern Asia Studies. "Vijayanagara: The authority and significance of a Southern Indian imperial capital". "Ramanuja at Vitthalapura, Hampi". Southern Asia Studies. Different Prospects of the Tempel Bezirke of Vijayanagara". Blanket of the Virupaksha at Hampi". Southern Asia Studies. "Virupaksha Tempel Roof Painting, Hampi." Southern Asia Studies.

Hampi, a mediaeval metropolis. Hampi sculpture. Vijayanagara, progress of research. "Akustische Analyse der musikalischen Säule der großen Bühne des Vitthala-Tempels in Hampi, India". "Non-destructive characterisation of the columns of Mahamandapam or Vitthala in Hampi, India". The Hindu Dynasty - The embodiment of Hindu culture.

"Vitthalapura Tempelviertel". Ramachandra Sanctuary at Vijayanagara. The American Institute of Indology, pp. 1-19. Vijayanagara, progress of research. Hampi Sculptural Art. Vijayanagara sculpture: Beautiful platform in Vijayanagara: Skulptures on the Great Platform in Vijayanagara". Jyotindra Jain; et al. Dimensions of Indian Art.

"Vijayanagara: the architectonic record". Southern Asia Studies. Vijayanagara irrigation and water supply systems. "Virupaksha Temple Ceiling Painting, Hampi." Southern Asia Studies. "It' rock-cut featuring Vijayanagara." Southern Asia Studies. Art and Jaina architecture in Vijayanagara, Hampi. Craft empire in southern India, around 1350-1650. Combridge University Press. pp. 146-149.

Imperialism and Nationalism in South and Southeast Asia: Combridge University Press. p. 122. The University of Arizona Press. p. 37. The Oxford University Press. pp. 219-221. Rediscovery of the Hindu temple: The Dean' s Welfare Story, 1300-1761: Eight Indians Living. This is Cambridge University Press. Temple architecture of India: Hindu temple. Hindu temple:

The University of Chicago Press. This is Cambridge University Press. A new light on Hampi: Latest research in Vijayanagara. Vijayanagara Hampi. and the succession states. This is Cambridge University Press. Hindus goddesses: Vision of the Divine Feminine in the Hindu religious tradition. The University of California Press. Encyclopedia of Indian Temple Architecture. The American Institute of Indology.

Hampi. This is Oxford University Press. Vijayanagara: New perspectives. This is Oxford University Press. Wikivoyage has a guidebook for Hampi.

Mehr zum Thema