Burmese Funny MovieFunny Burmese Film
Funny part is, it really works.
Myanmar VJ - Rapports d'un pays fermé (2008) - Burma VJ - Rapports d'un pays fermé (2008) - Examens des utilisateurs
It was my privilege to see this amazing and inspirational movie at the SXSW Movie Festival in Austin, TX. This movie is really extraordinary and one-of-a-kind. It' s the kind of movie that makes you appreciate the freedom that Americans take for granted. That' s the kind of movie that makes you appreciate the freedom that Americans take for granted. Just think about it. Yet, faulty journalism in the United States, our first change allows reporters to free.
Burma's journalists are a felony and those who tell the tale of the reality risk their own life to make the history of their country's oppressive regimes known to the people. Myanmar VJ is the history of the work of a notable group of Burmese photo-journalists with Burma's democratically elected vote (DVB) covertly filmed during the September 2007 unsuccessful insurgency against the Burmese army government.
It is humiliating to see the courage of the reporters who try to cover these incidents and the friars who lead the insurrection against the war. The video they are recording is fascinating. Unfortunately, these incidents made news for several short weeks in 2007, and then the Burmese community once again forgotten Burma.
He is still one of the most oppressive regimes in the whole wide globe, perhaps only behind North Korea. It is a scream for the whole planet not to ignore the ongoing Burmese drama. History almost recounts itself, because it gives us the opportunity to testify to the crime of the army junta against people.
Obviously, the videotape on small concealed camera may sometimes leave something to be desired, but their insecurity mirrors the closeness of the connection that links us to the Burmese people' s ailments. It is a testimony to Burma's fight and should be seen by all those who believe that all people have the right to be free.
This is a fine witness to people's wish to be free and I trust that many will stand by and help the people in Burma who are in pain. Your tale is worth telling, and Burma VJ is an memorable movie about ingenuity. Myanmar is a repressive army state.
The year 2007 saw a huge revolt in the nation when the price of petrol became too high. Photographs of the friars walking the roads were the dominant feature of this revolt, but this film shows much more, the really important and interesting film material. Burmese Myanmar's media writers are recording everything underground and sneaking the material out of the countryside so that it can be broadcasted worldwide.
It' s quite blatant, the armies shoot down empty soldiers on the streets, beat up and carry away friars, a corpse that swims in a stream the next game. It is a very good film about the men who stand up and fight against an impossible authority.
Yet there is never anything the student, the monk and the others on the street do without. While our North American and West European politics are important, they are only a shade in comparison to the Myanmar population. Of course Burma is just a tale of an authority, there is much more.
It is quite clear why Kanadian forces are "fighting for democracy" in Afghanistan and not in Burma. We' re not controlling the local resource base, we're controlling Burma. To the many Burmese independents who document cases of repression and repression and cry for the outside world's attentions, it is not a technology that is used for vain or stylized motives, but a technology that arises out of pure need.
"Joshua " and his DVB team - a group of secret reporters who operate out of Burma - had ample film material that they could either sneak out of the land on-line or through trustworthy messengers, where the newscasters had reported the distress of the road protestors in September 2007.
With small user cams concealed in pouches and thrown in and out for seconds of clip, you can have the feeling that these people are a genuine threat just to get the reality of the floor outside. The director Anders Østergaard had put together various videos of this unfortunate incident in which the friars took to the street, which for day and day caused an unforeseen non-answer from the army regime to give the glimmer of hope that the changes would come.
Burma VJ was staged with a few minutes and, together with the real shots, turned into a gripping film, in which the drawing must become a testimony of what is going on on site, what is in sharp contradiction to the interpretations of the state' s public service press, and perhaps to reflect on how an incident like this should not simply pale away.
On the basis of first-hand reports from reporters, as seen by their seekers, we take them out into the street in a "people power" motion, even to the mansion where Aung San Suu Kyi was kept under home detention, and seem to welcome the friars. To a certain extent, the movie moved forward as the move gathered pace, in a gradual concoction from relatively small rallies to a frenzied indictment of large crowds, before nocturnal roundups and detentions of the Protestant friars resulted in a systemic hiss of impetus and ultimative dispersion, and the plane to the back, as the DVB reporters had to keep a low profile after the suppression by the CIA.
To the superstar, as the army young man is praised, there is also a brief reference to the typhoon Nargis, which I remember when he waved many mouths that he was a heavenly answer to what was done to the little monk, here in a sequence that I have never seen, a dead bodied man swimming on a stream with a broken-head.
My country is a mighty film and I invite anyone who has the opportunity to see it to try it. Westerners are concerned with topics such as distortion in the press. Jounalism is against the law in Burma. Burma VJ" has a fairly simple effect.
Those vigilantes, who live under a militarist regime, are risking their life to get pictures of violations of humanity in their own countries - the murder of Buddhist friars, mass murder - and smuggling them out so that the outside worlds can see (and back to Burma to counter the government's propaganda). It' s difficult to understand what Anders Ostergaard introduces to the movie when he makes it: his greatest accomplishment is that he just lets his resource, Joshua, tell his own tale.
This is a subject that is self-explanatory and the photographs these courageous people take are ample to make anyone who is not aware of the Burmese state of affairs aware of the disaster there. Myanmar (where George Orwell was tongue-in-cheek ) is perhaps the land in the worid that most closely resembles Orwell' s dream, under the influence of a oppressive army regime for over 40 years.
This gripping full-length feature length feature length portrait of a ( "unfortunately failed") 2007 rebellion, as well as the stories of those who told it despite the state. It is a scandalous film: when the friars are protesting against the regime, the regime has no hesitation in murdering the people.
It would almost be fun to see the generals' publicity if it were not supported by a total readiness to use deadly violence, even in the face of non-violent protests. Burma VJ" is an important testimony to the dark realities of living in the land; but in the end even the leader of the opposition despairs of it.
Burma's army is one of the most serious violators of international humanitarian law. The army, law enforcement and an infinite number of spy and informants make the life of the Burmese tribe a terrible torture. Featuring an award-winning full-length feature length feature, this gripping tale is about a group of incredibly brave writers and reporter who risk their own life, try to shoot the material and sneak out.
One of them is looking at the 2007 rebellion, which was a tragedy and unsuccess. It' s heartrending to see these courageous and respectable men marching and protesting and failing in the end. The Burma VJ is a touching report on those fighting a violent regime. Focus on the recordings of Burmese / Myanmar subterranean journalist during the 2007 demonstrations of Tibetan buddhists and student groups.
Based on the everyday causes of the protest by an increase in the fuel prices, she follows the rebellion to its dramatic end in a repression by the warlords. It is a proof of the importance of the web as a means against repression. With the help of mobile phones, the opposition reporters broadcast the kind of event that came into the wide open and created a show that other nations could not overlook.
Burma VJ also gives an insight into what it is like to be in a dictatorship where there is nothing we would recognise as such. Essentially, the movie gives an insight into the purple king's courtyard. Several critics have complained that some sequences, which mainly concern a Thai love affair, are re-enactments and that the movie is not impartial.
But in the junta's brutal army, demands for impartiality seem feeble and timid. The Oscar nomination follows the history of what took place in Burma in 2007, when the army oppressed 100,000 demonstrators. It has been shown on newscast channels, but this is a compilation of film material showing a full history.
Reporter were facing dying or lifelong detention to get this material. When the army realised that the film material was being sent by the reporter and not by international media, they chased it down in a systematic manner. And it was a moving tale of how the nation resisted repression. Not teabags, but humans willing to sacrifice for the world.
There was a great opportunity to see this film about journalism repression in Burma at the International Film Festival Amsterdam 2008 (IDFA). It is not only the horror of the Burmese reality (in the example: repression, violent and unfree ) that makes you breath free, but also the efforts of the journalist, whose face is never seen to be seen and heared.
Now that you have seen it, you will certainly think about the courageous reporters who are risking their life to tell their tales, to tell the whole story of the reality that is trapped between the wall that is covering the land. The Burmese regime was ousted in 1962 by a putsch by the Burmese Army, which remained in power until 2011.
Throughout this period, Burma worsened in extreme poverty, while any protest or statement against the current regime was quickly shattered by harassment, tortures, strangely long prison terms and execution. A number of March, rally and protest, now known as the 8888 Uprising, came to a gory end in 1988 when the army murdered 3,000 people.
Using state-controlled medias and a prohibition on film material that leaves the state, the Democratic Voice of Burma (DVB) has educated its reporters to work as guerilla cameramen and work in the shadow to catch any kind of repression or uprising. The imprisonment could mean the end of our storyteller, known as "Joshua", if his photographs were erased early by the intelligence and exiled.
Smart re-constructions of Joshua, who are informed about a new rebellion now known as the Saffron Revolution, headed by the Buddhist friars, form a strained story. DVB's film material is amazing, the campaign takes place right in front of your face. From an early age, the DVB was suspected by DVB friars of being undercover.
If the cameraman is assaulted by a civilian army, the friars are protecting them and confidence is immediately strengthened. The director Anders Ostergaard competently compiles the material, and the movie deserves its accolade of best documentary at the 2010 Oscars (and probably deserves it). It' a very courageous movie.
Although "Burma VJ" is not the simplest movie in the whole wide web, it is very important and courageous. The movie is about the liberation in Myanmar (Burma) in 2007. Following 19 years of leadership by a oppressive army junta, a crowd riot of friars and the general population took to the street to stage protests.
Unfortunately, the administration did not seem to have a major difficulty detaining and murdering these inmates. Movies of the oppressive troops doing terrible things have been banished from the land and the movie consists of this material. It'?s very interesting material. You might also have needed a little cutting to make the movie a little tighter.
Nevertheless, it is an interesting and interesting movie. Before I saw this movie I knew very little about Myanmar, but I learned a lot from it. The exhibition shows how a dictatorial army can violently oppress protesters who want more respect for mankind and liberties. We see this happen when courageous cameramen secretly filmed the protests of the "freedom movement".
As we see, while more and more individuals are committed to the cause, the administration and the army are reacting strongly to repress the demonstrations and show no toleration towards their population. Towards the end of the film, we find out that some of the cameramen have been apprehended and their present location is not known.
See the specials for monk testimonies that courageously took part in the demonstrations and another movie about the Myanmar Crime. Being in Burma in 1988. Student leaders lead a string of loud protest against the MP. Forward quickly until 2007, and Joshua, the subterranean journalist and storyteller of Ostergaard's'Burma VJ', gets a déjà vu.
The Burmese nation is struggling with economic problems, high levels of joblessness, increasing levels of inflation, falling government grants and political hopelessness. One of several reporters working for Norway' s TV and Radionetwork, the Demcratic Voice of Burma (DVB), Joshua is risking his liberty and live to record the circumstances within the countryside under the tyranny of the Burmese dictators.
After smuggling out of the Burma, pictures and video are processed and sent back to Burma via wireless network or to foreign intelligence to increase consciousness. At the end of 2007, Joshua and his DVB counterparts noted a change of heart. Burmese Orthodox Buddhists, who occupy a valuable place in Burmese and Buddhaist societies, must not be damaged and were therefore a real protective shroud of humanity for the thousand Burmese people who took to the street to sideline them.
However, what Ostergaard added to the narrative is the boldness of those behind the shots (it was a DVB journalist who, for example, took the Nagai shots from a neighboring building) who risked their life so that the boldness of those who protest would not be destroyed when the army's weapons were fired for the first time.
As brutal as it may be, the 2007 riot was a failure for the Burmese regime, almost entirely due to coverage by DVB correspondents like Joshua, who moved into similar roles to Nagai to demonstrate the democratically will of their population. It' s difficult to know who you can see more, the friars who are ready to kill for their own kind, or the reporter who is ready to do it.
They are willing to give up the liberties that those in lands like Burma are quite simply killing for. In contrast to this land, where Buddhist believers (especially devangelists, the culprits of the culprits) are willing to propagate the party's message, Buddhist friars are urging the population: "We have to do something about it: "Man must perish for freedom," says someone in one place.
Then, the friars set a good example by leading mass protests and entering the government's loopholes. This reminded me of something I saw on TelEvents as a child (that was back before the newscasters were all co-opted and corrupted): a Buddhist friar who sacrificed himself to protests against the Vietnam war.
We see a tape smuggling out of the countryside showing the body of a Burmese friar swimming face down in a water. Last year I saw this film on SXSW and it really interested me because my mother and her side of the film' s side comes from Burma.
but I didn't know any more detail about the issues. I felt like I was seeing something I wasn't supposed to see, and I wanted everyone to see and understand what was going on in Burma.
Everyone should be able to capture and report what's going on in their lives, and I really appreciate Anders Østergaard going out and making a movie about the issues in Burma. When I saw the movie, I felt much more learned about the topic.