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Other excerpts
http://workmall.com/wfb2001/thailand/thailand_history_the_mon_and_the_khmer.html
The closely related Mon and Khmer peoples
entered Southeast Asia along migration routes from
southern China in the ninth century B.C. The Khmer
settled in the Mekong River Valley, while the Mon
occupied the central plain and northern highlands of
modern Thailand and large parts of Burma. Taking
advantage of Funan's decline in the sixth century
A.D., the Mon began to establish independent
kingdoms, among them Dvaravati in the northern part
of the area formerly controlled by Funan and farther
north at Haripunjaya. Meanwhile the Khmer laid the
foundation for their great empire of the ninth to
fifteenth centuries A.D. This empire would be
centered at Angkor (near modern Siem Reap) in
Cambodia.
The Mon were receptive to the art and literature of
India, and for centuries they were the agents for
diffusing Hindu cultural values in the region. The
frequent occurrence of Sanskrit place-names in
modern Thailand is one result of the long and
pervasive Indian influence.
In the eighth century, missionaries from Ceylon
(present-day Sri Lanka) introduced the Mon to
Theravada Buddhism. The Mon embraced Buddhism
enthusiastically and conveyed it to the Khmer and
the Malay of Tambralinga (see Religion , ch. 2). The
two Indian religious systems--Hindu and
Buddhist--existed side by side without conflict.
Hinduism continued to provide the cultural setting
in which Buddhist religious values and ethical
standards were articulated. Although Buddhism was
the official religion of the Mon and the Khmer, in
popular practice it incorporated many local cults.
In spite of
cultural dominance in the region, the Mon were
repeatedly subdued by their Burmese and Khmer
neighbors. In the tenth century Dvaravati and the
whole of the Chao Phraya Valley came under the
control of Angkor. The Khmer maintained the
HinduBuddhist culture received from the Mon but
placed added emphasis on the Hindu concept of sacred
kingship. The history of Angkor can be read in the
magnificent structures built to glorify its
monarchy. Ultimately, however, obsession with
palaces and temples led the Khmer rulers to divert
too much manpower to their construction and to
neglect the elaborate agricultural system-- part of
Angkor's heritage from Funan--that was the empire's
most important economic asset.
http://en.wikipedia.org/wiki/Khmer_Empire
Suryavarman II
The 11th
century was a time of conflict and brutal power
struggles. Only with Suryavarman II (reigned 1113 -
1150) was the kingdom united internally and extended
externally. Under his rule, the largest temple of
Angkor was built in a period of 37 years: Angkor Wat,
dedicated to the god Vishnu. Suryavarman II
conquered the Mon kingdom of Haripunjaya to the west
(in today's central Thailand), and the area further
west to the border with the kingdom of Pagan (modern
Burma), in the south further parts of the Malay
peninsula down to the kingdom of Grahi
(corresponding roughly to the modern Thai province
of Nakhon Si Thammarat, in the east several
provinces of Champa and the countries in the north
as far as the southern border of modern Laos.
Suryavarman II's end is unclear. The last
inscription, which mentions his name in connection
with a planned invasion of Vietnam, is from the year
1145. He probably died during a military expedition
between 1145 and 1150.
There followed
another period in which kings reigned briefly and
were violently overthrown by their successors.
Finally in 1177 Kambuja was defeated in a naval
battle on the Tonle Sap lake by the army of the
Chams, and was incorporated as a province of Champa.
http://en.wikipedia.org/wiki/Haripunjaya
Haripunchai
From Wikipedia, the free encyclopedia
Haripunchai (or
Haribhunjaya) was a Mon kingdom in northern Thailand
in the centuries before the Thais moved into the
area. Its main city was Lamphun, which at that time
was also called Haripunchai. In 1292 the city was
besieged and captured by the Thai kingdom of Lanna.
Founding
According to
the Chamadevivamsa and Jinakalamali chronicles, the
city was founded by a hermit named Suthep in 661 AD,
and the Mon ruler of Lopburi sent his daughter
Jamadevi to become its first queen. However, this
date is now considered as too early, and the actual
beginning is placed at around 750 AD. At that time,
most of what is now central Thailand was under the
rule of various Mon city states, known collectively
as the Dvaravati kingdom. Queen Jamadevi gave birth
to twins, the older succeeding her as the ruler of
Lamphun, the younger becoming ruler of neighboring
Lampang.
Flourishing and
Downfall
The chronicles
say that the Khmer unsuccessfully besieged
Haripunchai several times during the 11th century.
It is not clear if the chronicles describe actual or
legendary events, but the other Dvaravati Mon
kingdoms did in fact fall to the Khmers at this
time. The early 13th century was a golden time for
Haripunchai, as the chronicles talk only about
religious activities or constructing buildings, not
about wars. Nevertheless, Haripunchai was besieged
in 1292 by the Thai king Mengrai, who incorporated
it into his Lannathai kingdom.
List of Rulers
Names of monarchs of the Haripunchai kingdom
according to Tamnan Haripunchai (History of Kingdom
of Haripunchai)
 |
Queen
Jamadevi |
 |
Hanayos
|
 |
Kumanjaraj
|
 |
Rudantra
|
 |
Sonamanjusaka
|
 |
Samsara
|
 |
Padumaraj
|
 |
Kusadeva
|
 |
Nokaraj
|
 |
Dasaraj
|
 |
Gutta
|
 |
Sera
|
 |
Yuvaraj
|
 |
Brahmtarayo
|
 |
Muksa
|
 |
Traphaka
|
 |
Uchitajakraphad king of Lavo
|
 |
Kampol
|
 |
Jakaphadiraj, King of Atikuyaburi
|
 |
Vasudev
|
 |
Yeyyala
|
 |
Maharaj,
King of Lampang |
 |
Sela
|
 |
Kanjana
|
 |
Chilanka
|
 |
Phunthula
|
 |
Ditta
|
 |
Chettharaj
|
 |
Jeyakaraj
|
 |
Phatijjaraj
|
 |
Thamikaraj
|
 |
Ratharaj
|
 |
Saphasith
|
 |
Chettharaj
|
 |
Jeyakaraj
|
 |
Datvanyaraj
|
 |
Ganga
|
 |
Siribun
|
 |
Uthen
|
 |
Phanton
|
 |
Atana
|
 |
Havam
|
 |
Trangal
|
 |
Yotta
|
 |
Yip
|
Retrieved from
"http://en.wikipedia.org/wiki/Haripunchai"
Dvaravati
From Wikipedia, the free
encyclopedia
The Dvaravati
kingdom of the Mon people existed from the 6th to
the 11th centuries, when it was conquered by the
Khmer Empire. It was centred on the Chao Phraya
River valley in modern-day Thailand, with Nakhon
Pathom as the capital.
Mon Wheel of the Law
(Dharmachakra), art of Dvaravati period, c.8th
century.The term Dvaravati was created by Thai art
historians referring to the destinct style of
Buddhist art of that time. The name is derived from
coins which were inscribed in sanskrit with
śrīdvāravaṯī.
The sanskrit word Dvaravati means being a gateway to
the port, thus it refers to a coastal city. (The
Gulf of Thailand extended much farther north in the
past, and legend tells that Nakhon Pathom was once
on the seacoast.)
Little is known
about the administration of the kingdom, or even
whether it was technically a kingdom at all. It may
simply have been a loose gathering of principalities
rather than a centralised state. The main
settlements appear to have been at Nakhon Pathom, U
Thong and Khu Bua west of the Chao Phraya. Other
towns like Lavo (modern-day Lopburi) or Si Thep were
also clearly influenced by the Dvaravati culture,
but probably were not part of the kingdom.
Dvaravati
itself was heavily influenced by Indian culture, and
played an important role in introducing Buddhism and
particularly Buddhist art to the region.
http://www.thailand.com/travel/arts/art_central_sculpture.htm
Mon
Dvaravati Sculpture
Little is known
about the independent state of Dvaravati, which
flourished from the 7th to 11th centuries in much of
present-day Thailand. The kingdom’s main cities were
located in the central region at Nakhon Pathom,
Lopburi and U Thong, but Dvaravati influence spreads
as far north as Haripunchai (present-day Lamphun)
and Songkhla in the south.
Most of the
people of Dvaravati were Mon, highly skilled in
stone sculpture, stucco and terra cotta decoration,
and bronze work. Their sculpture style was strongly
influenced by the Gupta and post-Gupta styles of 4th
to 8th century India, but local features are
evident. The face is broad with thick lips, a flat
nose and protruding partly closed eyes. Large curved
eyebrows connect at the bridge of the nose. The hair
is in large spiral whorls with a cylindrical
lotus-bud ‘ushnisha’. Standing Dvaravati images are
symmetrical, with both hands performing the same
‘madra’ and a thin, transparent robe that is
identical on both sides. Seated images are usually
in the cross-legged style of India or the European
style with the legs hanging down.
Several
examples of the ‘Wheel of Law’, often with a
reclining deer, have been found in Nakhon Pathom and
western Thailand dating from the Dvaravati period.
The wheels symbolize the never-ending circle of
Buddhist thought, recounted in the Buddha’s first
sermon in a deer park in Sarnath, India. In
Southeast Asia, the wheels are unique to the
Dvaravati period.
http://www.geocities.com/RainForest/7153/p7153/buddhart_s.htm
Dvaravati (Land
of Buddhism) refers to the kingdom situated in the
The Chao Phraya River basin between the 7th and 11th
centuries AD. Important archaeological objects of
Dvaravati Art comprise Buddhism-related sculptures
representing two distrinct sects known as 'Hinayana'
and 'Mahayana'. The Dvaravati style derived from
Indian archetypes of both 'Amaravati' and 'Gupta'
styles, integrated with local art. Dvaravati Art can
be sup-categorized into three distinct groups
according to the standard of craftsmanship.
Type 1 :
Heavily influenced by Indian art, the images have no
aurcode are similar to Indian sculptures. There are
positioned either seated with legs loosely folded or
standing in the Tribhanga (leaning) pose. Hand
gestures were limited to the right hand, while the
left hand would be shown holding the end of the
robe.
Type 2 : More influenced by local styles, the
aurcode appears in a lotus bud shape or an orb over
the cranial protuberance with large hair curls. The
eyebrows from a continuous 'crows wings' curve, the
eues protrude while the nose is flat and the lips
thick. The standing Buddha figures of this type are
mainly positionaled in a straightstanding pose,
performing the Vitarka (Preaching) Posture. The
robes hung to mid-shin level with a symmetrical
trimming.
Type 3 : During the final period, Khmer influences
are markedly visible. The Buddha was carved with a
square face and a cleft chin. The straight edged
mantle typically extended all the way to the navel.
The image would normally be shown seated with legs
fully folded, resting on a roughly carved lotus
base.
http://www.asiafinest.com/forum/index.php?showtopic=21169
Origin of Môn-Khmer
Since
pre-history, several people came to settle in
Southeast Asia. Among these people, we distinguish
mainly the population Australoïdes, the
Austro-Asians, Melanesians and Indonesians. But in
fact, the ancient Cambodians owe their origin to a
mixture of the races Austro-Asians (Môns),
Melanesians, Indonesians, (?) mongoloid and Khâms
(Indo-Sythe) come from India or Cashmere.
Many great
specialists of South-east Asia as Bernard Philippe
Groslier or Mr. Marcel Talabot, supposes that the
populations of group Môn-Khmer are downward of race
Melanesians and Indonesians which came to settle
throughout the rivers of Tonlé-Sap and Ménam.
Another group of historians (researchers) such as
Mr. Hendricks Kern, Mr. Adhemard Leclère, Mr. Pierre
Gaurou and Mr. Etienne Aymonnier, think that the Môn-Khmers
are immigrants come from India, as like the Mundas,
who are them even pushed back by Dravidians and
Aryans and which beat the indigenous population (Austronesian
race). They would have come to settle, in the first
time in Tibet, and thereafter, a part is descended
to Southeast Asia (Môn-Khmers) and the other part in
India (Mundas).
The opinions
are shared besides on the remote origin of the Khmer
people, certainly, but all agree for saying that the
populations of group Môn-Khmer belong to the
indigenous people of the Southeast Asia. Many
material proofs make possible to say that the Môn-Khmers
had already a quite elaborate civilization, before
being indianized.
We find,
notably, the utensils useful at Kbal Romeas (Kampot)
and also in Mlou Prei and Samrong Sèn which goes
back to 3420 before J.C. (the Neolithic time, the
Palaeolithic time did not leave of trace) the men
would have lived on pile, at least as of the time of
Samrong Sèn (1280 front J.C.)
Before being
indianized or aryanized at the first century of our
era, these populations would have many traditions
such as: believer of spirit or animism, practice the
rites funerary (deaths are buried in the stones or
the earthenware jars), live in the matriarchy
society, have the large knowledge of the irrigation
system, know how to do the culture of rice and
domestication of animals, and speak a language
infixed etc.
The indianized or aryanized Khmer kings never
tried to remove old habits of these peoples, on
the contrary, they improved them and marry them
to the new elements Indian to found a powerful
civilization, purely Khmer. The temples of the
mountains are living testimonies of the old
faith of the Khmer people.
For details please visit
this link:
http://www.seasite.niu.edu/burmese/Cooler/Chapter_2/Chapter_2.htm
B. The Mon People of the Coastal Regions
1. General
History and Introduction
The first
Indianized peoples in Burma were the Mons. An honor
shared with their northern neighbors, the Pyus. The
Mons, a people of Malayo-Indonesian stock, are
related to the early inhabitants of Thailand and
Cambodia who also spoke Mon-Khmer languages. The
Mons who are considered to be the indigenous
inhabitants of lower Burma, established their most
significant capital at Thaton, strategically located
for trade near the Gulf of Martaban and the Andaman
Sea.
Little is known
of the early history of the Mon people including how
long their various kingdoms flourished and the
extent of their domains. For example, it is not
definitely known if it was the Mon or the Pyu who
controlled the lower delta region. Descriptions in
Chinese and Indian texts specify their settlement
area as being around the present day cities of
Moulmein and Pegu in the monsoonal plains of
Southeast Burma. This area was first known as
Suvannabhumi ("land of gold") and later as
Ramannadesa ("Land of Ramanna"); Ramanna being the
word for Mon people. The area known as
Suvannanbhumi was often connected with the
historical Buddha in the later Mon and Burmese
chronicles that credit the Mons with first
establishing the Buddhist religion in Burma.
Although little is known about actual religious
practice, trade connections through the Mon port
city of Thaton can be traced to the Indian kingdom
of the Buddhist King Ashoka from as early as the 3rd
century BC. Legend maintains that 2,500 years ago
the Mon people began the original structure of the
Shwedagon Pagoda that today has become the most
revered Buddhist stupa in Burma, a true national
monument. This theory, though tenable, lacks
objective corroboration because the many changes
that have been made to the pagoda over the years
have repeatedly encased its original structure and
there is no contemporary record of its foundation or
a description of its form.
Once a very
powerful political and cultural group, today’s Mon
population of around 1.3 million has been mostly
absorbed into the mainstream of Burmese culture.
These Burmese Mons make up only a small part of the
Mon-Khmer speakers of Southeast Asia with many of
their relatives living further to the east in
Thailand and Kampuchea. Although their culture has
merged with that of the Burmese, the Mons have
continued to use their own language and since 1962
have had their own state. As devout Buddhists, they
follow their own ceremonial calendar of Theravadin
festivals. Their main source of livelihood comes
from the cultivation of rice, but they also grow
other crops such as yams, sugar cane, and pineapple.
2. Pre-Pagan
Period: Thaton
a. Introduction
The early Mon
kingdoms that were in power during the prehistoric
period, were situated between the Sittang and
Salween rivers and were referred to as Ramannadesa.
Thaton, the seat of this kingdom, is believed to
have been Suvannabhumi (“Golden Land”), a term that
was also used to refer to the whole region of
continental Southeast Asia bordering the Bay of
Bengal. Thaton is thought to have been founded by
King Siharaja during the lifetime of the Buddha,
which would place it in the fifth century BC.
Thaton was once a flourishing port community that
communicated with and transported goods from as far
away as Southern India. Later Burmese chronicles
credit the Mon people of Thaton with bringing the
Buddhist religion to Burma. In these chronicles it
is also stated that Buddhist manuscripts from Sri
Lanka were translated into Mon characters around 400
AD. Although scholars have questioned this fact, it
is known from local inscriptions that Theravada
Buddhism definitely existed in Lower Burma by the
fifth century AD. Although the exact founding date
of Thaton and the extent of its kingdom has yet to
be discovered, it is known that Thaton fell under
Burmese control during the 11th century when the
first great King of Pagan, Anawrahta, sacked the
city and returned to Pagan with Thaton’s King Manuha
as his captive. Thaton remained under Burmese
domination until the fall of Pagan in 13th century.
Thenceforth, the Mons re-established their
independence, although the capital was later moved
to other locations including Marataban and Pegu.
Thaton’s
quadrangular city plan resembles that of the later
Burmese cities of Amarapura and Mandalay. Four walls
surrounded the old city creating a rectangular shape
that enclosed the walled palace compound that was
located at its center. From north to south the
palace site measured 1, 080 feet and 1, 150 feet
from east to west. Two chief stupas were situated
between the palace site and the south wall. Today,
the old city of Thaton is no longer visible as
growth of the modern town has obscured the earlier
settlement.
b. Pre-Pagan
Period: Thaton - Architecture
Of the two
stupas situated between the palace site and south
wall, the Shwezayan is the largest. Across the road
from the Shwezayan stupa is the Kalyani Sima, a hall
built especially for the ordination of monks. On
the sandstone boundary pillars that surround the
Kalyani Sima, the stories known as the Ten Great
Jatakas may be seen. These carvings illustrate the
last 10 lives of the Buddha before he was reborn as
Gautama, the historical Buddha who gained
enlightenment. An inscription on one of the
pillars dates them to the 11th –13th centuries.
i.
Swezayan Stupa
The original
form of the Swezayan, stupa, said to have been built
in the 5th century BC, is difficult to ascertain
since it has been repeatedly rebuilt and expanded.
As it stands today, the stupa has a circular base
and its overall structure resembles that of a bell.
Found within the compound of the Swezayan stupa are
several inscribed stones, five in the Mon language
of the 11th century. These stones are now preserved
within the stupa compound.
Also found
within the building are several stone sculptures,
loosely dated to the 10th-11th centuries. One of
these is a relief carving on sandstone of a standing
Buddha. His right hand held at his side points
downward with the palm facing outward in the
wish-granting gesture known as varada mudra. His
left hand is held upwards against his chest with the
thumb and index finger pressed together in the
argumentative or teaching attitude known as vitarka
mudra. Above the Buddha’s shoulders are the figures
of hamsa birds facing each other.
c. Sculpture:
Thaton
The relatively
few pieces of sculpture that can be dated to this
early period vary greatly in style and in subject
matter. The subjects portrayed are of Hindu,
Buddhist and Animist gods. Two Hindu sculptures
dating to the 9th – 10th
centuries are carved from slabs of reddish sandstone
and depict in high relief the figure of Vishnu
reclining on the serpent Ananta. From his body
issues a tripartite lotus stem on which are seated
Brahma, Vishnu and Siva. This configuration is
peculiar to Pyu art. In India, the usual
presentation of this event shows a single god,
Brahma, appearing within a lotus flower that grows
from Vishnu’s navel.
Another Hindu
sculpture is that of the four-armed Siva seated with
his vehicle, Nandi, the bull below his right leg and
the buffalo-demon under his left knee. From slightly
later are two small images of Ganesa and a small
sculpture of a seated Brahma. All of these
sculptures were removed to the Phayre Museum at
Rangoon and then loaned to the Rangoon University
Library where they were located when the Japanese
destroyed the building during World War II.
Consequently, they are known today only from
fragments and photographs. |